Gods behaving badly and men behaving monstrously in Molière’s classical comedies
Paradoxes of Sexuality in Dryden's Amphitryon
Monstrous performances
Dances for Deities in Lully's Persée 1682-1710
Cross-Casting in French Court Ballet, 1650-1670: Monstrous Aberration or Theatrical Convention?
Sexually Subversive Singers: Policing Sex at the London Opera, 1724-36
Déesse ex machina: Sex changes in Benserade's Iphis et Iante (1634)
Man-made monsters, men made monstrous: conformity and deformity in Aphra Behn's The Second Part of The Rover
‘Behold the monster Polypheme’: Handel's incorporation of the monstrous
The Materialist Denial Of Monsters
Repressing the mythic and letting it go again: reinterpreting Aristotle in 18th-century France
’...pietra per il vostro scarpello’: Metastasio and 18th-century pantomime ballet