Dance pedagogy in Letters (1760) by J.-G. Noverre: The originality of the body of the dancer
The Manners-making Crew
Gentleman or Tradesman, the position of the Dancing Master at the royal courts of Europe in the 17th and 18th centuries
Re-thinking “teaching dance” The dancing masters and “dances in characters”
Lithographed Portraits in the Dance Collections of the Houghton Library
The Danced Minuet in 1790s Vienna
What is Walking and How to Do It: Textual Estrangement and Experiential Anatomy in the work of John Weaver
‘Cotillons made Plain and Easy in an Accurate and Practicable Manner’
Mary Collins Royal Academy of Music and Royal College of Music
All Kit and Tight Trousers The Image of the Dancing Master in Art and Caricature
What she did during the interval: The dancer Mercandotti and a ‘young man of large fortune’
Teaching dance to would-be nobles, gods and shrews: dance lessons in ballets