La Scala-style Notation on the London Music Hall Stage: Luigi Albertieri and Katti Lanner’s Cécile
Making a Night of it: Dancing in the Streets of Paris during the Royal Entry of 26 August 1660
Staging Group Dances in the Theatre, from Noverre to Saint-Léon
Couple Dancing Between the Urban Stage and the Alpine 'other' in Der Tyroler Wastel (1796)
From Sylphs to Sleeping Princesses: Romantic Ballet in the Arc of 19th-Century Fairytale Retelling
Reframing the ‘Devil Dance’: The Representation and Interpretation of Sri Lankan Dance in British Colonial Exhibition Culture
Scenically Conceived ‘Intermedi’: Laboratories for Staging Dance in Early Modern Courts
Dancing ‘sur les décombres de la bastille’: The Federative Balls held in Paris in mid-July 1790
Staging Ballets at the Empire 1889-1904
From Crossroads to Hearthstones: The Spatial Ecology of Irish Dance in the Colonial Period
Colonial Stages: Ballet in 1850s Australia and Europe – A Cross-Cultural Comparison
Performing Difference: Indian Temple Dancers and the Politics of Repertoire in 1838 London