Lustspiele, German Comedies in Vienna: A Path to the Early Waltz

The first known mention of waltzing in Vienna occurred in 1754 in a song staged within a theatrical burlesque, thus becoming a historical marker of the dance in the city. The song was part of a comedic genre that developed during the 18th century, often known as Lustspiele. 

Life in Vienna was mirrored by the resident playwrights, very often through the use of parody. Texts were cleverly constructed to get through the censors, but extemporising was also prevalent. The theatre was a place of amusement, yet also provided a platform to portray as well as question developments in society. At times, it took on an educative tone. Much of societal attitudes was laid bare, giving a strong indication of changes that were occurring in the city. Dance was an appendage in the texts, however, how it was noted in relation to the waltz depicts the integration into a range of classes, of a closed couple, whirling dance. 

The waltz re-shaped accepted notions of corporeality in the ballroom. Using plays that were performed in Vienna, this paper will discuss the insights that the German comedies provide on waltzing and Viennese society in the second half of the 18th century.