The London Stage and the Nineteenth-Century World
14-16 April 2016, New College, Oxford
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Call for Papers
‘Plurality’ might be the most accurate description of the London stage in the nineteenth century: plurality of genre, of style, of theatre buildings. There were new dramatic forms, new technological advances, and new styles of management, not to mention new audiences and ways of attending the theatre.
We welcome contributions on all aspects and forms of drama and theatrical practice, from plays and operas to pantomime and puppetry. Subjects might include: theatrical resources, including collections; the constitution and history of theatrical genres; publishing and circulation; stage biography; music and musicians; scenography and spectacle; and theatrical spaces of all kinds. The ‘London stage’ should be interpreted as inclusively as possible, and we particularly seek papers on such topics as criticism, dance, the staging of the exotic, music hall entertainments, and international influences on London theatre. The meeting will provide an opportunity to take stock of the range of research currently being undertaken in the field as well as a chance to consider the place of London in the broader theatrical and political world.
All sessions will be held at New College, Oxford, with a keynote address by Daniel O’Quinn (University of Guelph) at the Bodleian Library’s new Weston Research Library. The conference is timed to lead up to the Bodleian Library’s exhibition ‘Staging History’, which will be held in the new Weston Research Library in October 2016.
Those wishing to give formal 20-minute papers should submit an abstract of no more than 200 words, and a biography of 100 words. However, we also encourage submissions for discussion panels, and are keen to receive proposals for other formats. The panel for paper selection will be Michael Burden, Jim Davis, Jonathan Hicks, David Francis Taylor, and Susan Valladares.
The call for papers has now closed.