Symposium Abstracts

The Open Letter and the War Dance: Osage Dance, Protestant Preachers, and Postcolonial Struggles for an American Protestantism

Reading History in the Italian Ballet Scenarios: The Case of Louis Henry

The Musician and the Dance: The Musical Interpretation of the Dance Using Playford's 'The Dancing Master'

Reading the Accounts: The Day-to-Day Life of the Lincoln's Inn Fields Dancers in 1726-7

Jean-Étienne Despréaux, Bibliophile

Adapting Lully for the London Stage: Reading a Chaconne of 1698

Foreign Flowers on British Soil: The ballet d’action in England

Spies, Lies, and Dancing at London’s Opera House in the 1740s: New Clues to the Biography of M. Froment - or Mr Fremont – or Mr Frument?

1831! - Annus Mirabilis The Making of Modern Ballet

Actors, Dancers, Attitudes: In Search of Common Ground

Pantomime in Diderot's Drama

French Court Ballet Festival Reports: Or How to Kindle the Imagination of the Reader